My work explores the relationship between constructed systems and organic processes, using material as both subject and method. I began with retro-inspired pixel imagery assembled from plastic beads, drawn to the logic of grids, repetition, and the translation of digital language into physical form.

Over time, my practice has shifted toward watercolor and hand-built objects incorporating natural materials. This transition reflects a growing interest in fluidity, transformation, and the intelligence embedded in living systems. Where earlier work emphasized control and structure, recent pieces embrace unpredictability, permeability, and subtle interaction between elements.

Across both approaches, I am interested in how humans interpret, imitate, and intervene in the environments around them—whether through digital abstraction or tactile, earth-based processes. My work often draws from research into plant life, ecological repair, and material cycles, resulting in forms that feel at once playful, unfamiliar, and slightly off-center.

Rather than settling into a fixed style, I see my practice as an evolving dialogue between the synthetic and the organic, the precise and the intuitive—an ongoing attempt to understand how these forces overlap, conflict, and reshape one another.

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